Soft knocks
To shut or open the Zen on the Art of Bridge,
Faust, Kafka – easy listening!
Getting my bearings, settling in, making a mess, feeling awkward.
The Bridge. I know this place well, too well. The scene of the crime, witness to disaster, base misdemeanours, sullied by cleansing agents, violated by animals, jumbled up, dumped on, dumped in.
The Bridge. Here dreams are born, and mares lived out. Stories of horses; hateful verses, grudging verses diluted. These are bad vibes. This time will be different, this is not a retreat. It’s a crucible, a temenos.
The Bridge. A place to prepare yourself in order to be yourself.
to shut or open the door at whim.
Knocks are needed to gain entry.
Hard knocks.
Paling to significance,
Brad the Impaler, a pied butcher bird,
whistles a chirpy tune
(Imagine, if you will,
a melodic baritone
bicycle here)
and skewers a shrew for the barbie.
Life read and heard in tooth and claw,
one sighs through clenched teeth.
‘This is all the weather you get,
so you’d best enjoy it…Grrghh!’
says a balaclavad scimitar weatherman.
I will, I will!
Promise I will, croons Brad.
Three smoked
Mackerel,
Black peppered,
Soused, left
On small plate,
Bucolic
Scenic scene
Innocents
Supper play
Or plate for
The smaller
Appetite.
three smoked fish
released from
vacuum cell
lay brown dead
Breached by blade
Ripped from
Chewy skin
Discarded
Flaked by hand,
Torn up by
keen talons
Ate by mouth.
On old black chair
In candle glow,
Undershadowed
by the roundtable’s
Archway segment shade.
Young black dog, curled up,
picture book,
on old black chair.
A bit of eye open, yellow flicker,
slowly blinking, basking. Closed.
Lids move, quick, hunting, chasing,
Running, running, running.
Stop
Am I there?
Am I in it?
He wasn’t
In mine